Speed dates, strict monitoring bubbles, world-first lighting effects and a stage that resembles a giant hug – welcome to the team embracing Eurovision 2023 from the heart of Liverpool to the soul of Ukraine. Adrian Pennington reports.
Eurovision is quite simply the biggest singing competition in the world and comfortably the biggest live TV singing contest. As you can imagine, it requires a vast undertaking from a technical point of view. Presenting a new song live every four minute is a real test for the technology and the professionalism of teams backstage, and with a TV audience of over 160 million and millions more listening on radio, there’s nowhere to hide.
This is a very special and unique year to produce Eurovision. The UK is hosting the contest on behalf of Ukraine, which makes the Eurovision 2023 contest the first...
You are not signed in.
Only registered users can view this article.
Behind the scenes: The Brutalist
Cinematographer Lol Crawley finds the monumental visual language to capture an artform that is essentially static.
Behind the scenes: Bringing live deepfakes to the fore in Here
The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.
Behind the Scenes: Disclaimer
For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.
Behind the Scenes: Conclave
Mystery, suspense and a game of thrones in the Vatican lensed by cinematographer Stéphane Fontaine.
Behind the Scenes: Wicked
Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.