Behind the scenes: John Wick 3

Cinematographer Lol Crawley finds the monumental visual language to capture an artform that is essentially static.

The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.

For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.

Mystery, suspense and a game of thrones in the Vatican lensed by cinematographer Stéphane Fontaine.

Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.