A story about re-activating a dead woman with her unborn baby’s brain was always going to make for a strange film but if weird is what you want, Poor Things will not disappoint, writes Adrian Pennington.
The heroine lives in a “dystopian version of a Merchant Ivory film, with the idea of a grand tour,” according to McNamara in the film’s production notes.
Lanthimos set his fellow heads of department a task, which was to make it all as hand-crafted and free of digital trickery as possible. Among other things this entailed shooting it all in a studio - the old-fashioned way - with gigantic sets, shooting on 35mm film using resuscitated filmmaking techniques.
“Yorgos really wanted to create from whole cloth,” Ryan said. “Things weren’t meant to feel real or verité. It’s got its own angle, its own quirk.”
Ryan is best known for his work with Andrea Arnold on Fish Tank (2009), American Honey (2016) and forthcoming release...
You are not signed in.
Only registered users can view this article.
Behind the scenes: The Brutalist
Cinematographer Lol Crawley finds the monumental visual language to capture an artform that is essentially static.
Behind the scenes: Bringing live deepfakes to the fore in Here
The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.
Behind the Scenes: Disclaimer
For all the slippery perspectives in psychological thriller Disclaimer, the truth is lying in plain sight, explains Editor Adam Gough.
Behind the Scenes: Conclave
Mystery, suspense and a game of thrones in the Vatican lensed by cinematographer Stéphane Fontaine.
Behind the Scenes: Wicked
Opposing colours in the same frame, 6000 lightning cues and shooting 17 sound stages - one the size of four American football fields, all merit why Wicked is the ‘latest hurrah to the golden days of epic studio filmmaking,’ writes Adrian Pennington.